Friday, June 11, 2010

the beat makes a difference

The idea of a beat (or a "tactus") -- that is some regularly recurring accent that sets up a meter -- is interesting. Without such an accent or focal point there's no way of telling where the downbeat is needless to say, which means, consequently that determining where any given rhythmic pattern starts and ends is made impossible. Take the following rhythm which recurs ad infinitum:

Without a downbeat there's no real way to distinguish what the rhythm really is. For instance any of the 3 notes could be thought of as beginning the pattern:

Which would produce the following (the gray area encloses the same notes which look different due to beaming).
Actually one good benefit of this is that if you can play the first one you can play all of them (for me #2 was always very, very hard to play...it's not!).

Wednesday, June 9, 2010

some creepy chords

I've always associated the minor-major 7th chord with jazz tunes, South American (mainly Brazilian) music and cliff-hanger moments in James Bond movies and 70s TV shows like Charlie's Angels. But I just watched The Machinist (2004) a Spanish made film with Christian Bale and Jennifer Jason Leigh and it turns out that they can be used to convey creepiness, too (which I guess, after all, is an extension of tension). The moment I'm talking about here occurs at ca. 40min 37sec.


Note also that the 2nd "creepy" chord (1st chord in the 2nd measure) is an augmented triad with a major 7th. (You could also look at this as a C/Ab, which could easily come from the Harmonic Major mode.) From the first chord to this one the only changing part is the middle two voices: a major third that rises a half step. The last chord in that measure is also an augmented triad: really just the "upper" part of the Ab min/Maj7th.

Other elements which add to the creepiness (which seem to be universal): a slow tempo -- somewhere around a quarter note equaling something in the 50s -- and a lot of reverb.

Music by Roque BaƱos.

Monday, June 7, 2010

yankee rose + heaven tonight

Two different tunes from the 80s when guitar was king, by kings of the guitar: David Lee Roth's Yankee Rose with Steve Vai handling the guitar chores and Yngwie J. Malmsteen's Heaven Tonight. Though done by masters of technique the songs (and videos) are in that vein of true rock 'n roll fun. And who wouldn't rejoice at playing these tunes to thousands of fans?





Actually Steve and Yngwie represent 2 different approaches to shredding, and here are representative short licks from the above tunes. Steve seems to like sliding around the neck, especially when arpeggiating. The picking isn't so rough but the shfting is in this one (this occurs at 2:38 in the video -- subtract out 1:41 if you're listening to some form of the audio):


And Yngwie -- Mr. "Neo-Classical" -- is all about sweeping arpeggios and alternate picking, the latter of which is featured here in a very nice harmonic minor passage (at 0:36):



N.B. I've transcribed this at pitch -- Yngwie (with band in tow) tunes down a half-step, so he's really playing in F# minor, though it sounds in F minor.

Saturday, June 5, 2010

the naked women project at abc no-rio

The Naked Women Project will be kicking off the annual ABC No-Rio Gala fundraiser event tonight starting at 6pm. $5 gets you in (but they'll take more: remember this is to help them raise money so that they can stay open all year and have great, awesome music every Sunday).


The lineup:

T-bone
bass
The Law
trumpet
Swirly
electronic winds
M'tazz
guitar
Polashek
sax
Father Todd
'bone + words
Thabit
drums


ABC No-Rio is located at 156 Rivington Street (between Suffolk and Clinton Streets) on the Lower East Side. The F/J/M/Z station at Essex-Delancey is just 2 blocks away.

new york city pop band live again


A trio incarnation of the New York City Pop Band will be supplying some music for the opening reception of the art show "Dance, Sing and Eat" by Yori Hatakeyama and Sawaka Norii. That's at New Century Artists, Inc which is located at 530 West 25th Street, Suite 406. We start at 4pm, the opening proper at 3pm (and goes until 6pm).

The trio is:
Charles M'tazz Ramsey on guitar,
Tom T-bone Blatt on bass,
Nick Thabit on drums.

Thursday, June 3, 2010

duo fortuna

I'm really happy that I'm back with Duo Fortuna, a piano guitar duo in which I have the great pleasure of playing with Leslie Purcell Upchurch. I think of Electric Bartok, maybe with some more Eastern elements thrown in.

It's rare for me when this amount of rapport just happens. The pieces are (except for one or 2 examples) completely imrpvoised, but generally with some parameter(s) in place. E.g. "chromatics" where the dominant idea is chromatic, half-step movement. Or "Hirajoshi" where we stick to that Japanese scale (actually it's a koto tuning, but roughly a scale).

Check out the myspace for some audio.

Wednesday, June 2, 2010

the naked women project at the tank

The Naked Women Project take to the Tank's stage tonight at 9:30 pm. Tickets are $7. There might be a mad, crazed priest out front ere the show's beginning, so don't come too late.


As always we'll be presenting a wonderful exciting blend of high-energy experimental jazz, free improvisation, afro-pop, psychedelia and spoken word.

The personnel:

T-Bone
bass
Big Matt
sax
The Law
trumpet
M'tazz
guitar
The Mad Priest
'bone + spoken word
Swirly
wind synths
Zebra
drums

The Tank is located at 354 West 45th Street between 8th and 9th Avenues.