
Harmonically there are some interesting chords. Look at the V7 chord: it's a free-roaming dominant 7 b5 chord. Look at it in 2nd inversion...that's right, it's a French augmented sixth chord (which is also analyzable as a Fr 4/3). Here is the G7b5 and the Fr+6 with its common resolution (the +6 opening up to a P8):

There are two extended triads: the V (a maj-dim, aka the Italian augmented 6th in root position) and the VII (dim3-dim).
As for the modes they're really interesting:
[mode i: phrygian #7]
mode ii: lydian #6
mode iii: mixolydian #5 (mixolydian augmented)
mode iv: aeolian #4 (lydian-aeolian)
mode v: locrian #3
mode vi: ionian #2
mode vii: (dorian #1) locrian bb3, bb7
And here's an actual use of the aeolian #4 found in measure 11 of Manuel Ponce's fantastic Sonata III:

And for you guitarists here is the scale in five positions comparable to the five positions of major, melodic minor and harmonic minor:

Learn it, love it, live it...
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